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How to Create a Moombahton Beat in Ableton Live : - Ableton Reference Manual
CMD - Shift - I. Move Nonadjacent Scenes Without Collapsing. Drop Browser Clips as a Scene. Deactivate Selected Clip. Split Clip at Selection. Consolidate Selection into Clip. Toggle Loop Selection. Insert Silence. U or left and right arrow keys. Unfold all Tracks. Adjust Height of Selected Tracks. Scroll Display to Follow Playback. CMD - Shift - F. Optimize Arrangement Height. Optimize Arrangement Width. Deactivate Selection. Reverse Audio Clip Selection. Zoom to Arrangement Time Selection.
Zoom Back from Arrangement Time Selection. Play from Insert Marker in Selected Clip. Show Take Lanes. Audition Selected Take Lane. Add Take Lane. Shift - ALT - T. Duplicate Selected Take Lane. Insert Audio Track. CMD - Shift - T. Insert Return Track. Rename Selected Track. While Renaming, Go to next Track. Group Selected Tracks. Ungroup Tracks.
CMD - Shift - G. Show Grouped Tracks. Hide Grouped Tracks. Move Nonadjacent Tracks Without Collapsing. CTRL arrow keys. To smoothly change the time-zoom level, click and drag vertically in the time ruler. Drag horizontally in the time ruler to scroll from left to right. Click and drag vertically in the note ruler to change which octaves are shown, or drag horizontally to change the vertical zoom size of MIDI notes and the keyboard.
Then, double-click on the note ruler or time ruler to automatically zoom in on your selection. If nothing is selected, double-clicking the note ruler will zoom in on the area from the lowest to the highest note in the clip, while double-clicking the time ruler will zoom out to show the time between the first and last note.
It always shows the complete contents of the selected MIDI clip. The black rectangular outline represents the part of the clip that is currently displayed in the Editor above. To scroll, click within the outline and drag left or right; to zoom in and out, drag up and down. Change the length of what is shown in the Editor by dragging the left or right edges of the outline in the Clip Overview.
To quickly change what is shown in the Editor, click on a section that you want to examine in the Clip Overview, then drag downwards to zoom in, or scroll by dragging left and right. Here is how selection works: Clicking a note selects the note. Esc deselects all selected notes. Clicking into the background of the MIDI Note Editor selects a point in time, represented by a flashing insert marker.
Clicking and dragging in the background selects a timespan. Press Enter to toggle the selection between the timespan and any notes that begin within it. After placing the insert marker, you can manipulate it using your computer keyboard. Press the left or right arrow keys to move the insert marker to the left or right, according to the grid settings. Hold down Shift while pressing the arrow keys to extend or retract the selected timespan by moving the insert marker.
Several key modifiers also apply to note editing: To transpose selected notes by octave, hold down Shift while pressing the up or down arrow keys. Shift plus the left or right arrow keys extends or retracts the duration of selected notes, according to the grid settings. You can also remove a single note from your selection by holding down Shift and clicking on it. Holding Shift and clicking on the piano roll adds all notes in a single key track to the current selection, or removes them if they were already selected.
Changing Note Length. Duplicate Time places a copy of the selected timespan into the clip, along with any contained notes. Delete Time deletes a selection of time from the MIDI clip, thereby moving any notes on either side of the deleted area closer together in the timeline. Insert Time inserts as much empty time as is currently selected into the clip, before the selection.
Changing Note Velocity. The Randomize Button. The Randomize Range Slider. The Velocity Range Slider. The Chance Editor. You can select and edit notes from multiple selected clips at the same time, or use Focus Mode see Each loop bar represents a different clip in the current selection, and the colors of the loop bars match the color of the clip.
You can adjust the loop length for any single clip by clicking and dragging its loop bar marker. Using the Shift key allows you to select contiguous loop bars. Note: With Focus Mode enabled, it is not possible to select more than one loop bar at a time, and any existing multi-selection is ignored. The title bar will show the name of the clip selected for editing. This can be particularly useful for identifying different clips with the same color.
Note: if a clip has no name, the title bar will display the name of the track containing the clip instead. Certain controls in Clip View see 8. Likewise, any nested chains within the Rack will also have this button.
Chains in the Session View mixer look similar to tracks, but they have no clip slots. Likewise, many chain operations such as reordering, renaming and regrouping can be performed from either the mixer or the chain list. As with tracks, when chains are multiselected in the Session View mixer, adjusting a mixer parameter for one of the chains will adjust the same parameter in the other selected chains.
All chains can be dragged from their parent Racks and placed into other tracks or Racks, either from the chain list or from the Session View mixer. Drum chains have an additional feature: when dragged from the mixer to a new track, they take their MIDI notes with them.
This creates a new track with the full contents of the snare chain: both its devices and its MIDI data. If you would like to extract only the devices, drag from the chain list instead of from the mixer.
One unique property of Racks are their Macro Controls. Audio Effect Racks contain only audio effects, and can be placed in audio tracks. Drum Racks see Drum Racks can also contain up to six return chains of audio effects, with independent send levels for each chain in the main Rack. Components of a Drum Rack. Racks have distinct views that can be shown or hidden as needed. Therefore, every Rack has a view column on its far left side that holds the corresponding view selectors.
The actual view selectors available differ depending on whether an Instrument, Drum or Effect Rack is being used. Macro Controls Chain List. In Drum Racks, this view can include both drum chains and return chains.
Devices Racks are also identifiable by their round corners, which bracket and enclose their content. When the Devices view is shown, the end bracket visually detaches itself to keep the Rack hierarchy clear. Pad View see This is unique to Drum Racks. Before any MIDI data can enter a device chain, it must be able to pass through every zone in that chain.
If a note also lies within both of these zones, then it is passed to the input of the first device in that chain. Key zone fade ranges attenuate the velocities of notes entering a chain. Velocity zone fade ranges attenuate the velocities of notes entering a chain. The Chain List in a Drum Rack. In addition to the standard selectors found on all Racks, Drum Racks have four additional controls in the view column.
The Choke chooser allows you to set a chain to one of sixteen choke groups. Any chains that are in the same choke group will silence the others when triggered. This is useful for choking open hihats by triggering closed ones, for example. The small Preview button to the left of these choosers fires a note into the chain, making it easy to check your mappings away from a MIDI controller. Mixer Section. In addition to the mixer and Hot-Swap controls found in other Rack types, Drum Racks also have send sliders.
These sliders allow you to set the amount of post-fader signal sent from each drum chain to any of the available return chains. Clips no longer lose their MIDI controller or warping parameter modulation envelopes when dragged to a different track in the Arrangement. Copying, pasting and nudging a non-contiguous selection in automation lanes for multiple tracks could lead to erratic results. Fixed the shape of the right-most automation segment's active mouse area.
On Windows, automation curve editing is now only possible if the modifier was already pressed at the time of the mouse-down, to avoid disabling the grid instead.
When moving the fade-in end past the fade-out start and then back within the same mouse gesture, the fade-out start would not be restored to its prior length.
Moving the fade-in start could affect the fade-out start even though they were not touching. An unexpected fade-in would erroneously appear after removing a crossfade from two crossfading clips. Unwanted time signature automation would be created when duplicating time, if the time selection was not aligned to bar boundaries. The Automation Mode "A" shortcut key toggle was not mentioned in the respective menu entry. A wrong grid quantization was applied when creating breakpoints in proximity of a breakpoint segment while the grid was set to "Off".
Added various improvements for adding and editing automation breakpoints. Glue Compressor's "Release" parameter. Automation lanes would not be deselected after folding a track and creating a selection in a different track. When selecting the automation lane in a nested track, the Group Track's automation lane would erroneously retain the selection, if this previously existed. It is now possible to drag an automation lane time selection to the content lane of any track.
Previously, this was restricted to the same track. Browser When one of the the Packs folders was favored, browsing its sub-folders via Collections might display the wrong content. Live would crash when trying to relocate a missing user folder in the browser, if the user folder was the root of a drive. When selecting an audio file in the browser, the wrong file would be previewed if a sample with the same name was previously selected.
Folders listed under Collections labels could exclusively be sorted by name. The browser color labels would not update correctly in some situations. When displaying the second browser column, this appeared empty until its label was clicked once.
Capture When overdubbing in Session View, only one loop iteration is created before the new captured material. File Handling Live would crash when restoring a Live Set after a crash, in cases where the Live set had been saved after undoing a manoeuvre.
A crash would occur when adding a folder to Places, if the folder name contained an emoji character. Under certain circumstances, recovering a Live Set after a crash was not possible. Live could crash during a crash recovery under certain circumstances. Live could crash when loading a clip under certain circumstances. Changes to the Global Launch Quantization were not undoable when applied via the 'Options' menu.
Live would crash when an AU plug-in instance which couldn't be loaded was removed from a Set. The indexer process could crash on OS X when saving songs,if their filename contained slashes.
Also, fixed a bug that caused the loading of a lesson accompanying a Live Set to fail, if the song had a slash in its file name. Live would crash during a Live Set recovery, if the original file name contained certain caracters. Improved the logic in the mechanism for importing MIDI files in Live, which previously could lead to unexpected results. If an audio file's name contained certain characters, those characters would not be correctly displayed when importing the file in Live.
When undoing an action after Saving a set, saving the Set again was not possible. Increased the preloaded sample file regions for warped samples in Simpler, in order to prevent sporadic drop-outs. The Undo history would be compromised in cases where the Max installation could not be found, or Max could not be started. Furthermore, Live would endlessly attempt to load referenced patches, when Max was not available. Solved an issue where drop-down menus might appear misplaced on Windows, in multi-monitor configurations.
Items in the Global Quantization drop-down menu would not be highlighted when hovering with the mouse. Improved the handling of multiple program windows on Windows. Previously, Live occasionally prevented bringing other programs to the foreground. Improved the responsiveness of interactions in the Arrangement UI e. In the Session View, clip envelope modulation was displayed in the wrong color. FIxed a bug which, under certain circumstances, might cause certain UI elements to disappear.
Adjusted a visual inconsistency in the gap between the meters and devices. Previously, the cursor would inadvertently move away when clicking in the beat-time ruler, if Follow was active. Improved the readability of the text that appears in a plug-in device when the device is not available, when the Mid-Dark and Dark Themes are in use. When performing a drag and drop of a track into a Group Track in the Session View, the vertical drop indicator would not be displayed correctly.
The resize mouse cursor would not be shown in the Arrangement Overview, under certain conditions. Scrolling in the Arrangement might lag severely on Windows, under certain circumstances. Animations and meters would temporarily freeze during mouse movements, under certain conditions. Applied a lighter color to the Electric device so that the parameter labels are readable in all Themes. It was not possible to input alternate characters from the character candidate window on OS X, when renaming items in Live.
The height of default MIDI and audio tracks and tracks created by dropping devices is now the same. Added minor visual improvements to the Mapping Browser. The background color of the "Arrangement Position" field in the Control Bar was displayed incorrectly when Link or the Metronome count-in were enabled.
The text for the Tension device's toggle buttons would fail to appear when using a Dark Theme. When a Dark Theme was in use, selected Rack Chains might fail to display certain icons. When a non-contiguous selection exists in the Arrangement, no selection color is visible in the gaps between two non-selected tracks anymore.
Adjusted the width of the clip preview in Session View while performing a drag and drop action. Fixed a bug which could cause the text in the Help View to be truncated by the scrollbar. The values of small parameter dials would change color upon selection, if the Dark Theme was in use. The Group Track icon would clash with the track name in Session View, if the track was resized to the smallest possible width.
The track title text in Session View would change its color automatically when resized to the shortest width, if the Mid Dark Theme was in use. Adjusted the text color in the Preferences, so that it looks correct in all Themes. On Windows, the size and position of the second window would not be remembered when closing and opening it again. On Windows, Live's windows and dialogs would occasionally flash briefly when appearing on screen. Fixed the selection color for rows within the 'Groove Pool'.
Corrected the text color for minimized track headers. The color of a Default Track set in Live 9 now correctly translates in Live When dragging a clip with a long name containing a Rack into an empty track, or when pasting it into an empty track, the track title in the Session View would overlap with the Chain Mixer 'Fold' button. The Arrangement Group Track header drop marker was drawn one pixel too far to the left.
When the peak meter is lit, the peak meter text is now visible in the Dark Theme. Active Grooves displayed a wrong text color in the first field of the Groove Pool, if the Dark Theme was in use.
Changed the text color for all status bar alerts, to increase its readability when using the Dark Theme.
Max for Live improvements Fixed a bug in the Drum Synths which prevented the correct decay value from being used, if this updated at the same time that a note message was sent. It is now possible to finely adjust Max for Live device parameters using the "Shift" modifier, as for all other Live devices.
Max for Live devices would steal the keyboard focus from Live's UI. Removed the "defaults" Object Defaults menu from the Options menu on Windows. Fixed a bug which caused focus rectangles to go missing. Fixed adjusting sizes of boxes upon loading. When multi-clip editing, it was erroneously possible to select and edit notes in a frozen background clip. Navigation When renaming an item in Live, the cursor would end in the wrong position if the text was selected and one of the arrow keys was pressed.
Auto-zoom no longer occurs in the Detail View when moving the clip loop using the arrow keys. Follow is temporarily disabled during scrubbing. This also fixes a bug where, if Follow was active, changing the clip's play position might lead to unexpected results.
Follow would not be paused when adjusting fade handles. After a user interaction paused Follow, it was necessary to click the Follow button twice in order to re-enable it. Live would crash when a Group Track was duplicated, if it contained a VST plug-in which opens a dialog whenever duplicated e. Dragging older uncolored Sets from the browser into an existing Session might lead to a crash.
Coping and pasting multiple clips at once could lead to unexpected results if some of the clips originated from nested Group Tracks. In some cases, pasted clips would end up in the wrong target track, if the copied selection was across nested Group Tracks. New Devices and Device Improvements Live would crash when moving or grouping a track containing Wavetable, if Push 2 was in use and Device Mode was displayed.
Moving parameters in a device could lead to some tiny noise bursts if the device was processed by Drum Buss. The text in the Reverb device's Decay Time field would not fit in some cases. Audio artefacts would affect Wavetable when modulating its parameters via Aftertouch or Mod Wheel. Previously, it was not possible to map Wavetable parameters to Macros from the device's expanded view.
Wavetable now supports sustain pedals. Added various UI improvements to Wavetable. Under certain circumstances, the Wavetable's Filter Drive slider would have no effect. Addtionally, Wavetable's 'Glide' parameter would not work as expected. Live could crash when hot-swapping the Wavetable device, if the device was inside an Instrument Rack. After changing the language in the Preferences and changing it back to the initial language, Live would revert to the first language chosen upon program launch, instead of the last language chosen.
Added a debug option to Live 10 which allows restricting the maximum number of real-time audio threads when Live is running in ReWire slave mode, to prevent performance issues when Live is running as ReWire slave with certain DAWs on Windows, if a CPU with 16 or more cores is in use.
This can be enabled via the following debug option in the Options. This will force Live to run its audio engine in single-threaded mode when running as a ReWire slave.
If Live is running standalone i. Fixed a regression which caused number input boxes to steal all keyboard input once touched , and thus preventing the MIDI keyboard, normal single letter shortcuts, etc.
Numbers typed into number input boxes would not overwrite existing values, but only insert new digits, and it was possible to edit unsupported characters into number boxes.
Fixed minor typos in info text translations. A memory leak might occur when certain previously available plug-ins were not allowed to launch e. An unusually high CPU usage would occur if a Live Set made use of several plug-ins whose parameters were configured in Live. The name of the undo action when importing MIDI and audio files was wrong. Additionally, it is now possible to import MIDI and audio files when the selection is on an automation lane.
Added a filter visualization for Auto Filter on Push 2. Added a visualization to Operator's Filter bank on Push 2. Introduced additional icons to the Global bank for Wavetable on Push 2. Updated Wavetable's Unison Mode icons on Push 2. Updated the Push 2 color palette.
On Push 2's display, "On" and "Off" values now appear in title case instead of uppercase. It is now possible to control Wavetable's Poly Voices parameter from Push. Improved the look of Operator's 'Algorithm' icons on Push 2. Improved the way filter curves appear on Push, by drawing an opaque background. Push Note Layouts On Push 2, the state of a track e. The routing position chooser on Push 2 would not indicate the correct position.
Deleting a track in a nested Group Track from Push would not work under certain circumstances. It was not possible to add a track with Push, if the currently selected track was frozen. Occasionally, it was not possible to leave note settings or step automation modes on Push 2. Additionally, it was not possible to step-automate the Semi parameter from Push.
The Push display process would use an unusual high amount of CPU when idling, which could occasionally lead to the laptop fan to kick in as soon as Push 2 initialized. When switching from Filter 1 to Filter 2 in Wavetable's Filter bank from Push 2, Filter 1's filter circuit would still be shown if the highpass filter type was selected. Under certain circumstances, a device might erroneously appear disabled on Push 2.
It was previously not possible to reset Wavetable's Oscillator Transpose parameters to their default value by holding the Delete button and tapping the encoder on Push 2. It was not possible to reset Wavetable's modulation amounts from Push.
When a clip's loop position was changed from Push, the change was not reflected in Live's UI. Notes in a track containing a Drum Rack were displayed in the wrong color on Push 2's display. On Push 2, Clip Mode's zoom overview occasionally did not include the entire region, and the playhead would fail to appear when an audio clip contained a section without any sample content. It was not possible to delete the notes of a sequencer page in Slicing Mode on Push 1 and 2.
The sequencer or loop selector pads would erroneously send mono-aftertouch or poly pressure messages. In the Arrangement, the "Reverse" command can now be performed on a time selection via the new "R" shortcut key. Also fixed a bug related to reversing samples. When using Reverse on a partially-selected clip in Arrangement, only the selected part is reversed.
It is now possible to deactivate, reverse and crop selected material within a time selection on an automation lane. Previously, the entire clip would be de activated, even if only part of it was selected. Arrangement clips can now be moved by dragging the upper half of the clip content area.
The mouse cursor changes to a hand to indicate the clip's draggable area, where time selections can also be made via a single-click. Previously, the shortcut could only enable the Arrangement Loop, but not disable it.
The file will be inserted either where at the Insert Marker position Arrangement View or in the currently selected empty clip slot Session View. Automation Implemented a global automation mode. In the Arrangement, the visibility of all automation lanes is now toggled via the Automation Mode button or the "A" key.
When the automation lanes are visible, the content lanes are minimized to the height of the clip headers. Clip fades are now always available in the content lane, if the track is at least three units tall. It is now possible to split and consolidate material in a time selection also when the selection exists in an automation lane. In the Arrangement, this means that MIDI clips can only be created by double-clicking in the content lane.
When moving multiple segments within a time selection, snapping aligns at left or the right of the time selection, depending on which side of the time selection you start dragging. A similar logic is also applied to single segments. Additionally, when hovering near segments the value for the aligned events is now shown. The automation value at the border of a time selection is also shown, regardless if a breakpoint exists, when hovering in proximity of a segment.
While creating an automation breakpoint in a time selection, the time selection disappears, which enables moving the newly-created breakpoint. When dragging automation breakpoints or segments, they now snap to existing breakpoint times.
The "Shift" modifier is no longer required for moving automation segments past existing breakpoints. When the grid is disabled, automation breakpoints now snap to breakpoint times and grid times if they are one pixel away. For breakpoints grabbed by the mouse, automation values are now displayed when hovering over a breakpoint, or dragging any of the following: an automation segment, a time selection automation segment, or multiple breakpoints in a time selection. It is now possible to move automation segments horizontally.
When breakpoints are created close to a grid line, they now automatically snap to the grid. A vertical editing helper line now appears when moving breakpoints in the Arrangement View or Detail View. Breakpoints are now quantized when they are moved. Introduced fade edge handles in the Arrangement, which allow users to change the duration of a fade in via the "Fade In Start Handle" and fade out via the "Fade Out End Handle" without affecting the fade peaks.
However, a fade edge cannot move beyond the the fade peak. Holding "ALT" while resizing one track now resizes all tracks in the current view. Browser It is now possible to display and search for uninstalled Packs within the browser, and install them from there. The Packs sidebar label now shows updates made to Packs. Users can now download and install these updates. After restarting Live, previously downloaded Packs are now ready for installation, and partially-downloaded Packs can now resume downloading unless Live was restarted on a metered internet connection.
Colors can be assigned to items via context menu entries, or using the number keys for assigning colors, and 0 to reset. Multiple colors can be assigned to an item, but no more than three colors will be shown. New labels show all items tagged with their respective color. Improved the behavior when using the "Locate" button to find a missing user folder.
Previously, this would trigger a complete re-scan of the new folder, even if the contents were exactly the same as before, and also lose any colors assigned to items in the folder. When previewing samples in the browser, samples less than 2. Samples longer than 2. The hierarchy of Group Tracks in a Live Set now appears in the browser.
This allows dragging the contents of a Group Track into the current Live Set. In the browser's sidebar, it is now possible to rename user folder labels. Files can be dragged and dropped onto the User Library, Current Project and use folder labels directly. Live now always listens to MIDI input on monitored tracks i. Live plays back the captured loop immediately, ready for you to add more material.
If neither toggle is enabled, the Export button will be disabled. Up to 10 old versions of the Set are stored in this folder.
In Live's browser, the current Set has "Show Old Version" context menu command, that points to its most recent backup version. When a backup version is loaded, it gets saved to the original location. When saving a Live Set, the undo history is no longer cleared. The original file and history position are remembered when creating, loading and saving a Live set and the information is used to restore the Live set after a crash.
Improved naming and sorting of recorded audio files, by attaching a timestamp to the filename. Added various changes for Windows - Live now supports the Jump List. Large Live Sets can now be closed times faster. Improved the speed of loading samples referenced by a Live Set. This reduces the Live Set loading time considerably. Dropped support for The Bridge. Introduced the Live 10 color palette. Updated the appearance of clips in both Session and Arrangement View.
Introduced a set of five new themes in place of the previously available Live "skins". It replaces the "AbsoluteMouseMode" option. Added new mouse cursors for resizing clips and dragging clip content in the Arrangement on Windows. Live's dials and sliders are now rendered using real-time vector graphics rather than bitmaps. The result looks sharp and consistent at any zoom level. Added a "Assign Track Color to Clips" menu item to the context menu of track headers. When the command is used in the Arrangement View, it applies the track color to Arrangement View clips.
When used in Session View, it applies the color to Session View clips. Enabled sample dots on the waveforms. When zooming in, users can now more closely see where their samples are on the Time Ruler.
Added several visual improvements for Windows: the second window now shows the same menu bar as the main window. When the Alt key is pressed, no letters in the menu bar are underlined anymore. Also, modal windows now come to the front if the window underneath is clicked.
Now, the Session View is resized in a fluid way, with no bouncing or quantization. Max for Live Improvements Max is now bundled in Live, and no longer requires an external installation.
Live will always use the bundled version of Max. Max is now loaded at startup, instead of when the first Max device is used.
Max for Live devices now support multiple audio inputs and outputs, which can be accessed via the track's Input and Output Channel choosers. Devices can also be routed to arbitrary tracks via the Live API. It is now possible to route devices and device chains to Max for Live devices. This both applies to both Arrangement and Session View. It is now possible to route an individual Drum Rack pad's audio output to one of its parent Drum Rack's return chains.
This allows these return chains to be used as mix buses. It is now possible to reset knob and slider control values to their default value by double-clicking them in the same way that the "Delete" keyboard shortcut works. The double-click gesture does not apply to toggles or action buttons. Loop points are represented by vertical lines in the Note Editor. This minimizes all tracks, allowing you to see as many as possible on your screen.
The action can also be triggered via the "S" shortcut. It is now possible to zoom to and back from time selection in Arrangement and in Detail View. It is now possible to zoom vertically and horizontally in the Arrangement View, using two-finger trackpad gestures or a mousewheel.
It is now possible to scroll horizontally using the Shift modifier key also on WIndows. When time is selected within an Arrangement clip, Detail View's display now zooms in on the selected time.
When making an edit in the Arrangement or Detail View, Follow is now paused instead of being deactivated. When paused, the Follow button changes from yellow to orange. When stopping or re-starting playback, or scrubbing, Follow starts again. Furthermore, Follow is also paused when scrolling horizontally in Arrangement. Audio effects can now be dragged to the Master track's Scene Launch area.
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